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We just want to note this interesting (and timely) grammar tip from WebExhibits:

Daylight Saving Time

Spelling and grammar

The official spelling is Daylight Saving Time, not Daylight SavingS Time. Saving is used here as a verbal adjective (a participle). It modifies time and tells us more about its nature; namely, that it is characterized by the activity of saving daylight. It is a saving daylight kind of time. Because of this, it would be more accurate to refer to DST as daylight-saving time. Similar examples would be a mind-expanding book or a man-eating tiger. Saving is used in the same way as saving a ball game, rather than as a savings account.

Nevertheless, many people feel the word savings (with an ‘s’) is mellifluous off the tongue. Daylight Savings Time is also in common usage, and can be found in dictionaries.

Adding to the confusion is that the phrase Daylight Saving Time is inaccurate, since no daylight is actually saved. Daylight Shifting Time would be better, and Daylight Time Shifting more accurate, but neither is politically desirable.

Source: WebExhibits: Daylight Saving Time

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Indiana is the home of GrammarCops. We are particularly interested in this …

The Handwriting Is on the Wall

Filed under: Education, Innovation, Language, Philosophy, Psychology — cliftonchadwick JULY 9, 2011

The Handwriting Is on the Wall

Learning cursive is going the way of the quill pen. It’s only the end of civilization as we know it

By THEODORE DALRYMPLE

Fifty years from now, no one in Indiana—or at least, no one born and raised in Indiana—will be able to write cursive. On the other hand, everyone there will be able to type, and by then technology might have made the ability to sign your name redundant. If it has not, perhaps you will be able to hire an out-of-stater or immigrant to sign your will or marriage certificate for you.

State officials recently announced that Indiana schools will no longer be required to teach children to write longhand, so that students can focus on typing. This is because writing by hand is so very—well, so very 4000 B.C. to A.D. 2010. We have now entered a new era: A.H., After Handwriting.

The schoolchildren of Indiana—and those of an increasing number of other states—will therefore never know the joys of penmanship that I experienced as a child. In those days, we still had little porcelain inkwells in the tops of our desks. The watery blue ink eventually evaporated to a deep blue gritty residue, and we used scratchy dip-pens with wooden handles, whose nibs were forever bending and breaking.

Our whole world was inky. Our desktops were soaked in ink; it got into our skin, under our nails and into our clothes. We even began to smell of it. For those of us who were even slightly academically inclined, the callus that formed on the skin of the side of the middle finger as it rubbed against the wood of the pen was a matter of pride: We measured our diligence by the thickness of the callus and longed for it to grow bigger.

I still remember my pride in my first full-length handwritten composition: an eight-page account of crossing the Gobi Desert in a Rolls-Royce, accompanied by blots, smudges and inky fingerprints. To my chagrin and everlasting regret, my teacher was not impressed by my formidable effort. She said that I must keep to reality and not be so imaginative.

Despite many hours first of tracing, then of copying copperplate examples, my handwriting never became other than serviceable at best. I was left-handed, and this made things more difficult because, whether I pushed or pulled the pen, smudges followed my writing across the page. Luckily, though, we had emerged from the dark ages when left-handers were forced to use their right hands. Little did we know, it was the beginning of the pedagogic liberalism that has now brought us to the abandonment of writing altogether.

Another character-building joy that may be denied to Indiana schoolchildren is the handwritten exam. They will never know that peculiar slight ache in the forearm, produced by fevered scribbling as thoughts rushed through your mind in answer to questions such as “Was Louis XIV a good king?” (my answer was a firm and uncompromising “no”) and struggled to find written expression, only to slow down once it became clear that there were not enough of those thoughts to fill the allotted time. So then you deliberately made your handwriting deteriorate to make it appear that you could have written much more if only you had had the time, but unfortunately you did not. This kind of game continued into my early 20s.

Were my teachers ever taken in by it? I doubt it, but even then I knew it was all really a rite of passage, a slow induction into the adult world that I so longed to join. Since the need for such rites seems to be permanent in human societies, no doubt new such rites will develop for those who focus on the keyboard, but I do not know what they will be. Having reached the age when pessimism is almost hard-wired into the brain, I think they will not only be different but not as beneficial to the developing character.

Indeed, my first reaction to the news from Indiana was visceral despair, not only because the world I had known was now declared antediluvian, dead and buried, but because it presaged a further hollowing out of the human personality, a further colonization of the human mind by the virtual at the expense of the real.

When I scrawled and blotted and smudged my way across the page, I had the feeling that, for good or evil, what I had done was my own and unique. And since everyone’s writing was different, despite the uniformity of the exercises, our handwriting gave us a powerful, and very early, sense of our own individuality. Those who learn to write only on a screen will have more difficulty in distinguishing themselves from each other, and since the need to do so will remain, they will adopt more extreme ways of doing so. Less handwriting, then, more social pathology.

—Theodore Dalrymple is the pen name of the physician Anthony Daniels. He is a contributing editor of the Manhattan Institute’s City Journal.

Just to jog your memory: cursive –adjective 1. (of handwriting) in flowing strokes with the letters joined together.

Sources: Cliftonchadwick’s Blog, dictionary.com, Mom

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Goodness … here’s a note from a reader:

This is my latest grammar gripe. It has grown into an obsession. The first time I recall hearing this was in high school (almost 20 years ago), and I now hear it more and more frequently. It makes me want to scream. Have you heard this one? It clearly stems from the hypercorrection of “me” into “I” which seems to be more common these days. People seem to default to “I” even in situations when “me” is correct, such as in, “Please let Chris or I know…..” UGH. So now, it turns into, “This is Chris and I’s issue.” REALLY? Chris and I’s? As far as I can tell, “I’s” is not an appropriate possessive. I was griping about this one day with my equally nerdy grandmother, and she swore up and down that no one says this and I must have misheard. Never mind the fact that I’ve heard this repeatedly, on TV, on the radio (just heard it in an interview on This American Life! To be fair, it wasn’t said by a journalist; it was someone being interviewed), and in person. She said, oh no, no one would say that. HA! So I am curious – have you heard this too? Does it make you as insane as it makes me?

-Elise, an incorrigible grammarian just outside Philadelphia

Elise, all we can say is: yes, Yes, and YES!!!

Dear readers, please see our previous posts: I is not an object … and A note to Felicity …

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Have you been to a meeting lately?

THE TWELVE STEPS OF GRAMMARHOLICS (not so) ANONYMOUS

1. We admitted we were powerless over proper grammar—that our grammar had become unmanageable.

2. Came to believe that a grammar greater than that which we use ourselves could restore us to proper usage.

3. Made a decision to turn our will and our lives over to the use of proper grammar as we learned it.

4. Made a searching and fearless oral, verbal, and written inventory of our grammar.

5. Admitted to the Grammar Police, to ourselves, and to a grammar school teacher the exact nature of our misusage.

6. Were entirely ready to have proper grammar remove all these defects of usage.

7. Humbly asked for proper grammar to remove our shortcomings.

8. Made a list of all grammar rules we had broken, and became willing to make corrections to them all.

9. Made direct corrections to such grammar rules wherever possible, except when to do so would perpetuate a miscommunication of them or others.

10. Continued to take an personal inventory of our grammar and when we were wrong promptly admitted it.

11. Sought through sentence structure and punctuation to improve our conscious contact with proper grammar, as we learned it, seeking only for knowledge of grammar’s will for us and the proper usage to carry that out.

12. Having had a grammatical awakening as the result of these Steps, we tried to carry this message to grammarholics, and to practice these principles in all our communications.

One day at a time …

Copyright © 2010 Grammar Police a.k.a. GrammarCops

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Dear Felicity,

Please see our post: I is not an object …

You have provided several examples to ask your one question. This makes the answer more complex than the one word responses you received on the Web site.

What you ask is, effectively, which should be used as a subject, I or me? “Betty and I (subject) are going out.” is correct here. “Betty and me are going out.” is incorrect. It is not surprising to us that you have heard incorrect usage on TV. We could likely make a living correcting grammatical misuse on TV.

Now, when you move on to your … “Or join Betty and me.” you have changed the question … this is correct because, as we mentioned in our earlier post, “I is not an object …” In this case, me is correctly used as an object.

BTW, we recommend spell checking the title of your post: “… English/grammer

Thank you for your (unknowing) contribution to our blog.

Sincerely,

GrammarCops

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I is not an object … def. –pronoun 1. the nominative singular pronoun, used by a speaker in referring to himself or herself.

Me is not a subject … def. –pronoun 1. the objective case of I, used as a direct or indirect object.

In other words, you don’t speak to I, give things to I, or decide between I and another.

Nor would me speak to others, give them things, or make the decision between a and b.

I would speak to him. I would give things to her, and I would decide between x and y.

And, you would speak to me, she would give things to me, and he might decide between you and me.

The bigger question, and frequent misuse, seems to come when combining subjects and/or objects … mostly the latter. What do we mean?

Here goes …

Please call Mike and ___ . (I or me?)

Terry was speaking to him and ___ . (I or me)?

Pat gave the paper to you and ___ . (I or me?)

How can you decide between her and ___? (I or me?)

Hint: take out the other person, enter the correct form, then add the other person back in … like this:

Please call ___ . (I or me?) Therefore … Please call Mike and me.

Terry was speaking to ___ . (I or me?) Therefore … Terry was speaking to him and me.

Pat gave the paper to ___ . (I or me?) Therefore … Pat gave the paper to you and me.

Get it? Got it. Good.

As we were saying … “I is not an object …”

Learn more about reflexives at our post: Self-exploration …

References: grammarpolice.com, dictionary.com, Grammar Girl

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Another pronunciation poem … attributed to both Richard Krough and T.S.Watt.

Recovering Sounds from Orthography
Brush up Your English

I take it you already know
Of tough and bough and cough and dough.
Others may stumble but not you,
On hiccough, through, lough and through.
Well done! And now you wish, perhaps,
To learn of less familiar traps.

Beware of heard, a dreadful word
That looks like beard and sounds like bird,
And dead–it’s said like bed, not bead.
For goodness’s sake, don’t call it deed!
Watch out for meat and great and threat:
They rhyme with suite and straight and debt.

A moth is not a moth in mother,
Nor both in bother, broth in brother,
And here is not a match for there,
Nor dear and fear for bear and pear,
And then there’s dose and rose and lose–
Just look them up–and goose and choose,
And cork and work and card and ward,
And font and front and word and sword,
And do and go and thwart and cart.
Come, come, I’ve hardly made a start.

A dreadful language? Man alive,
I’d mastered it when I was five.

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